Landscape photography is a venerable old art. Who doesn’t love a shot of the sun going down over a beach or the same sun rising brilliantly over Nanga Parbat?
For most of us, the way we imagine a country, at least initially, is through images of its land. We like to know how high its mountains are and how fast its rivers flow. When we visit a travel agent, we flip through brochures covered with landscapes. For some reason we equate country with land. And based on photographs of sunsets, green fields, rugged mountains or rugged farms, we convince ourselves we have an idea of a place.
But in a country like India that is rocketing forward in its urbanisation, is the natural landscape still the best way to capture its soul?
Within 15 years, nearly 600 million Indians will be city dwellers. While today, only about 32% live in urban areas, the economy is largely urbanised. India’s cities are bursting and new ones will be sprouting up by the dozen if government planners are to be believed. Statistically, India may yet be a rural country, but energetically, it is a pumping urban nation.
In a situation like this, traditional landscape photography seems to be less relevant to grasping the essence of India. If the heart of the nation is its cities, what does photography tell us of that India?
Urban landscape photography is nothing new but it has become somewhat more codified in recent years. It is photography that seeks to find a country’s essential sprit through the way it lays out, develops, and manages its cities. The landscape in question is not the natural world but the physical world of concrete, steel, glass and plastic. And unlike traditional landscape photography its purpose is not necessarily to depict an idealised image of the scene.
Urban photography is, more often than not, photography of the ugly, the “in-the-way”, the dilapidated and the abandoned. Alienation is never faraway. Where there is beauty it is usually accidental. It is a photography not suited to travel brochures. But when done by talented photographers it is exciting stuff. [Full article originally published in Scroll.in]